Getting to know you: Pick four more children to share something about themselves and play a song on the bells.
Activity: Learn about what makes sound. Sound is vibrations that go to my ear and sends a message to my brain making sounds that I can hear.
Demonstrations: (classrooms may be stocked with the first two items)
1. Vibrations: pluck an elastic around a bread pan to show vibrations
2. Vibrations create airwaves: hit one pan next to another pan that has cupcake sprinkles on top and watch the sprinkles move.
3. Feel vibrations: comb and wax paper activity
a. give everyone a plastic comb (I found packs at the dollar store)
b. cover the comb with a small square piece of wax paper
c. blow into the wax paper to feel the vibrations
d. blow to the tune of “adios amigos” together
Video: Evelyn Glennie – deaf percussionist who plays by feeling the vibrations through her fingers and body (7:25 minutes found on freedeliciousmusic.org)
Week 1 (For a printable PDF of this lesson, click here.)
Getting to Know You Game:
Backpack filled with school items
Box of crayons – just like the different colored crayons, all the children are different and all are special. Pick five children to play a short tune on the bells and tell us their name. (Continue every week until all children have had a turn).
Bell – bell rings when school is out. When we are finished with music time, sing “Adios Amigos” (teach first two lines).
Apple – introduce what Delicious Music is and a little about what we’ll learn. Explain that every Friday when we gather together, we’ll sing “Delicious Music” theme song (teach first two lines).
Ruler – rules of music time (display poster). 1. Everyone will have a turn (show apron with their names in a pocket to show how names will be drawn out so everyone has a chance to participate) 2. Lips closed when I’m teaching 3. Try your best and have fun! Pretend you’re a ruler and sing “One, Two I stretch up tall.” (primary song)
Scissors – Just like we move our hands to make the scissors work, we will often use our bodies as we sing and move with the music. Sing “I’m all made of Hinges.” (primary song)
Glue Stick – Share something about me: I like to stick together with my family (show picture of my family)
For a printable version of this lesson, click on the image or click here. The printable version does not have all the explanation given below, so if you want more details, read this lesson plan.
Nature/history/life connection: Teach the background of the song “Hot Cross Buns” in order to prepare them for learning do, re, and mi. “What is the weather like this month? Hot? Cold? What do you feel like eating when you are cold? Something warm? I do! Where do you get food when you are hungry? You go to your fridge, cupboard, or you make something. Where else can you get food? At the grocery store, farm, restaurant. What if you are at a football game? Have you ever seen someone selling food at a baseball or football game, or maybe even on the street in a big city? A long time ago in England, people would sell food on the street. The people lived in busy cities, with the houses all built next to each other without yards, but more like apartment buildings. Sellers would call out what they had to sell to the people in their homes and on the streets. (Maybe you can remember in the movie ‘Mary Poppins’ the chimney sweeps?) Food sellers made food and carried it in a cart or over their shoulders on in a basket, and they would call out to the people on the street. The milk sellers would call out ‘Mi-o’ if they were selling milk. ‘Mi-o’ stood for ‘Milk below,’ so people inside could look out their windows and ask to buy the milk that a ‘milkmaid’ was carrying below (see ‘Life on the streets of Victoria England’ by Judith Flanders). There is a song that is called ‘Hot Cross Buns’ that is because of food sellers trying to sell their hot rolls (‘bun’ is a British word for roll) that had a cross on them and looked like this (show image) (see ‘Hot Cross Buns’). Don’t they look yummy? Ooh, I could eat one right now! I’m going to pretend I am a street seller selling hot cross buns.” (Pretend, holding a basket prop and walking back and forth calling out, “Hot cross buns! Hot cross buns for sale! One for a penny!”) “Only a penny? Wow! That’s not much money! But a long time ago it was more expensive. Pennies could buy a lot more! Would you like to learn this song? Great!
Teach “Hot Cross Buns.” Sing (demo) it first, then put the lyrics sheet up next on the board and point to the words. Sing it again a third time with the children. Ask for a volunteer who would like to try singing it as a solo for everyone.
Teach that the notes do, re, and mi have names and teach how to write them. “What would happen if we didn’t sing the words to this song? We could hum it, right? Let’s try.” Hum the song. “How many different sounds do you hear in this song?” Hum the 3 notes, ascending and descending. “Oh, there are 3, right? Let’s see if I can find them on my resonator bells.” Play do, re, and mi on the bells. “Each of these notes on my resonator bells makes a different sound, yes? Just like each of you has your own unique voice? Well, each of you also has a name, and each of these bells that make its own sound has a name. We call each sound a ‘note’ and each note has a different name. This note we call ‘do’ ” (etc., with re and mi). “One way we can write the names of these notes is by writing their name with letters down, like this.” (Write “do” “re” and “mi” on the board. “Another way we can write their names–this way is faster–is to just write their first letters down.” (Write d, r, mHot Cross Buns.) So if we wanted to write this whole song down, we could go like this. (Write the song on the board in solfa notation: m r d, as shown on the page.) “Sing it with me.” (Point to each note as you sing it.) “Beautifully done!”
Teach that there are other ways to notate music. “We could make circles of the colors of these resonator bells, like this.” (Show Hot Cross Buns song seed sheet music page with just the colored dots, no Solfa notation on them.) “You could even just color with crayons or pens, dots on a paper, like this child did.” (Show an example of a child’s song.) “We will try writing down a song in just a minute. And you can either color dots or you can write the note names, just like I taught you. But I want to show you two more ways you can write or show music: One is by learning how to write music like this” (hold up a copy of black and white sheet music–go here). We aren’t going to learn how to write music this way this year. But you can if you want to at home or another year in school, I hope! The other way I’m going to teach you today is using your hands and no paper at all! There are signs that we make with our hands for each note on our resonator bells. For do, we make this sign” (repeat for re and mi). (For ideas on how to teach Solfa signs, go here.)
Practice the Solfa signs. Practice the signs for a few minutes. Make up songs on the spot using d, r, and m.
Music composition. Allow the children to create music. Using the white board and asking for volunteers, spend a minute or two modeling how to create a song. “How do we write down a song that we have made up? That’s correct! We write down the notes using their names or coloring dots to show the notes we want to use, like this.” Pick a note and sing it aloud, writing the note name on the board. Repeat until you have created a song. Ask for 2 children to create a song up on the board. Then invite the children to go to their seats, where there are crayons and a piece of paper. Instruct them to create their own song using d, r, m. After a few minutes, ask for 2 or 3 volunteers to share their song.
School Song. If you have sufficient time, practice the school song.
Video Clip. If you have sufficient time, watch the clip from “Who Will Buy?” from the musical Oliver. Be sensitive to the audience you are teaching. Is this song appropriate for your class? The actual plot of Oliver could be frightening to children this age, so be sensitive to whether or not showing this clip would be good for your class.
Activity: Pick a part of the scarecrow to begin building a scarecrow on a posterboard or white board. You can show this photo of a scarecrow and pick one child to choose a number. You have the parts of a scarecrow written on numbered slips of paper in a paper cup. Each number corresponds to a song or activity that you have decided ahead of time to do, such as those listed below. They pick a paper and then they (or another child) get to draw part of the scarecrow (an arm, head, leg, etc.) If you draw the scarecrow ahead of time, each piece would have a song/activity to go with it.
OR you could also pick some fall leaves from outside and draw a simple tree trunk and branches on the white board, putting the leaves on the “tree” with magnets or tape. If you are not familiar with these songs listed below, choose songs or fall-related music and movement activities that the children will know. Or teach or listen to a new song! Below the numbered list are some ideas of song you could taste.
The Explorers (school song)
Bells: Adios Amigos (one person plays it on the bells or sings it solo)
“Les feuilles mortes” (“Autumn Leaves”) by violin, harp, or harmonica (feuilles means “leaves” and mortes means “dead”)
This video is for reference for teachers, to give you ideas for actions or how to teach this song. This teacher is using it for spring, but you could adapt lyrics to fall.
Today I taught the second verse of the song we are learning as a school, “We’re Building a Musical Legacy,” to one of the kindergarten classes. The children remembered the first verse after I had taught it to them 2 weeks ago–the day before spring break. They hadn’t sung it in 2 weeks. That is how fresh and bright and capable young children are to learn! We spent maybe 15 minutes on the first verse then and then 15 minutes today on reviewing the first verse and learning the second verse. I marvel at the minds of young children!
The music was written by a musician friend of mine for our school back in 2012. This was one in a number of small songs for which I have written lyrics for the elementary school. Others–friends and family!–have helped with the music side of the songs. I am grateful for the teamwork that has been involved with each song production. I have learned, via these experiences, that creating music and giving it as a gift that brings a sweet feeling. I am not a professional musician, so I needed the talents that others had to complete the project.
That is what I hope Delicious Music will someday become: a place where people can share what they have created to help elementary school children have free access to music for their classrooms, choirs, and orchestras. Children need good music with solid, positive ideas to help them in their journey. Please share your talents with us! Feel free to email me music that you would like to share! (All music must be original and copyright free or with permission to use.)
This was our first lesson back after the winter holiday break. I was thrilled that after the snow had almost all melted, a nice storm came in last night, so that when we awoke, there was a nice blanket of white covering the ground. One of the children in class today said that it looks like a white paper. I love hearing a child’s perspective! After a quick sharing of Peruvian music, I read a little poem “Stopping by Woods on a Snowy Evening” by Robert Frost, using a book with wonderfully child-friendly with illustrations by Susan Jeffers:
I told the children how one night during the holiday, my house was so quiet. I was sitting in front of the fire and it was dark outside with big snowflakes fluttering silently down. I remembered this poem, and I remembered that I had written a little melody to go with the pome. I sang the song/poem to them, using the book again.
(This is where the audio file will go when it is working again!)
I then taught them the first phrase (“Whose woods these are I think I know”), then the second (“His house is in the village, though”). Then we added them together. Next we learned the third and fourth phrases and added them onto the first two. That’s as far as we went. I used some impromptu actions, such as pointing to my head for the “think I know” part, showing a roof with my hands for the “house” part, and pointing out the window towards the homes in the neigbhorhood for “village, though”.)
Mrs. S. got the bells out and put them at each child’s desk. She dismissed the children to their desks, row by row, and I told them to practice an ascending scale (“Beginning on Daddy Do and going up to Baby Do.”) When everyone was there together, we started.
I showed the ascending scale, which we played. Playing in unison is the challenge of the year! Then we played by skips up and down the scale. I had the children perform by table. We did this for sometime until it was the end. We tried first singing the Solfa and then playing the Solfa of the first phrase of “Whose Woods These Are.”
We didn’t listen to another song about this poem or snow, but these could have been a good resource:
The beginning of “Winter” by Vivaldi:
Here’s an interesting video showing snow falling with New Age music in the background:
Here is Tchaicovsky’s “Winter Dreams” that could be a peaceful time for closing eyes and imaging snow fallings…for a minute…
Before beginning my instruction, I told them that I wished we could do music every day because there is so much wonderful Christmas music that we could sing this time of year! I held up the Reader’s Digest Merry Christmas Songbookand explained how fun it is that in my home, my daughters come home from school and open this book up and start to play. And other children will join in singing, and it is SO FUN! I told them that there are so many books of music available to use, including free sheet music online. I encouraged them to sing at home, to visit the library and check out music, to learn to play music so that they can have fun singing and making music at home.
After singing our welcome song, I reviewed ascending…
and descending scales. I showed them those visuals and asked them if they remembered what they were. They did! I asked them if the ascending scale was going up or down, and they answered correctly, and vice-versa for the descending scale. We sang and signed both.
Then I asked them if they remembered the song I taught them last week. Some did: Deck the Halls! We sang it together, and then I asked if anyone one would like to perform it. Two boys stood up and sand in front of the class. (Well, one sang, and the other one got shy.) Then more children got the courage to sing, and we had about 5 girls next. Then we had a third group of 6 girls and one boy. I had to move on after that, but I probably would have had the whole class be willing to perform it! I had several children wanting to sing solos, but I explained that while I would adore having them do that, we needed to move on, because I had another song to teach them.
I pulled out this visual and asked them if they could guess which song it is:
I sang it in Solfa using one hand doing the hand signs and the other pointing to the notes. I sang it slowly, and then I sang it faster. It was easier for them to recognize at a quicker tempo. I had them sing it with me several times (just this first line of the song, in Solfa, with signs).
Then I said, “Let’s map this song on the board so that it shows the movement of the notes, like this other song” (pointing to Deck the Halls moving notes visual).
I wrote m m m m m m on the board, and they sang the notes as I wrote them. (I just wrote the letters first, then circled them as I sang it after we had figured out all the notes.) When we got to the first move to sol, I asked them if we were going up or down. They said up, and I wrote it above the mi with a gap between. “Which note is in between these two notes?” Most of the children didn’t know until we sang an ascending scale, and then they could hear that it was fa. I taught them then that when we skip over a note, it’s called a “skip.” (Later, when we were playing the bells, I explained that skips are intervals.) We continued to figure out each note in the first line, if it was up or down, and if it was a skip or a step.
I told them to think of being on a set of stairs. Were they going to the next step, or did they have to skip a note in the scale? If they had to skip a step–kind of like a jump–then there needed to be a space to show it. I had them stand up. If the notes were the same as we sang, we didn’t move. If we were stepping up a note, we marched in place once. If we were skipping, we hopped up once. So I tried to help them conceptualize the movement of the notes this way.
I also drew, so they could see, with a dry erase marker on my ascending scale page (that is in a plastic page protector, so the marker wipes off with a tissue), ho if we skip from “Daddy Do” we will land on mi. If we skip from mi, we go to sol, etc. In the end the page looked like this:
Then we went to our bells and played an ascending scale and a descending scale. Then I had them move do, mi, sol, and ti up into the top part of their case. We played skips a few times, and then we played skips on re, fa, la, do a few times.
Then I pulled out the Jingle Bells music again and had them try it once. It was hard for them. We did it table by table, and I helped individually those children who weren’t getting it.
It was challenging for them. I wish I had music printed out for each child. I wish I could help each child. I wish each child could take a set of bells home with a music book and practice at home. What a difference that would make! If wishes were horses…